Drake has officially delivered on his promise to bring some of the most requested music from FOMO to streaming.

On Friday, Oct. 2, the Toronto superstar expanded HABIBTI with HABIBTI (FOMO), adding four songs that had previously lived primarily inside his Fear of Missing Out film and its surrounding rollout: “Solar Eclipse (Choosin’ Texas Remix)” featuring Don Toliver, “Cold Shoulder” featuring Don Toliver and Yebba, “Québec,” and “Classic Pt. 2.”

The release closes one of the biggest loose ends from Drake’s FOMO rollout. When the self-funded visual project premiered Sept. 15, viewers quickly realized it wasn’t simply a movie built around music Drake had already released. It also contained unreleased records, alternate versions and collaborations that immediately had fans asking when — or whether — they would become available outside the film.

Now four of the most talked-about records have officially made the jump.

Drake Told Fans the FOMO Music Was Coming

The release follows an update Drake gave fans only days earlier.

During a livestream on Sept. 28, Drake addressed the constant requests for the songs from FOMO and confirmed that music from the film was finally headed to streaming. He was careful, however, not to promise everything viewers heard in the movie.

“All the songs you guys have been asking for… well, not all of them, but enough of them,” Drake told viewers while announcing the release.

That distinction left fans guessing about which records would make the cut.

The answer arrived Friday: four new additions, turning the original 11-track HABIBTI into a 15-track expanded edition.

Rather than releasing the songs as an unrelated EP, Drake folded them directly into HABIBTI. The decision effectively connects FOMO back to the album that supplied part of the film’s musical foundation.

“Solar Eclipse” Finally Gets an Official Release

Perhaps the most anticipated addition is “Solar Eclipse,” featuring Don Toliver.

Fans had previously known the record primarily as Drake and Toliver’s reworking of Ella Langley’s enormous country hit “Choosin’ Texas.” On the official streaming release, the song has been given its own title while retaining its connection to Langley’s original record.

“Solar Eclipse” interpolates “Choosin’ Texas,” with Langley and the original song’s writers Miranda Lambert, Luke Dick and Joybeth Taylor receiving writing credits. The record also incorporates elements connected to Bun B’s “Get Throwed,” further tying Drake and Toliver’s version to Houston rap culture.

The collaboration had already generated considerable interest before FOMO premiered.

Drake previewed the record during the rollout, and it subsequently became one of the film’s immediate fan favorites. Its official release means listeners no longer have to return to the movie, ripped audio or social-media clips to hear it.

It also arrives while the original “Choosin’ Texas” is having a massive year. Pitchfork reported that Langley’s record recently reached its 24th week atop the Billboard Hot 100, extending its record-setting run.

Drake essentially took one of 2026’s biggest songs and transformed it into something designed for his own musical world, with Don Toliver helping bridge the country source material into a darker, Houston-influenced R&B and rap atmosphere.

Don Toliver Appears Twice

“Solar Eclipse” isn’t Don Toliver’s only appearance on the expanded project.

He’s also featured on “Cold Shoulder,” alongside Yebba.

The collaboration originally debuted through FOMO, accompanied in the film by visuals shot at Canada’s Wonderland.

Musically, “Cold Shoulder” sits comfortably within the emotional territory that has defined much of Drake’s R&B catalog. The record centers on romantic distance and the attempt to repair a relationship that appears to be slipping away, with Toliver and Yebba adding different textures around Drake’s performance.

It also gives the expanded edition a notable concentration of Don Toliver.

Rather than using him for a single guest appearance, Drake places him on two of the four FOMO additions, making Toliver one of the central collaborators in this final stage of the rollout.

“Québec” Gets Its Streaming Home

“Québec” is another song that generated attention immediately after FOMO premiered.

Unlike some of the film’s other unreleased material, Drake had already pushed the record further into the public eye by releasing a standalone visual after its appearance in FOMO.

Now the song has a permanent home on HABIBTI (FOMO).

The record leans into the atmospheric, late-night sound associated with the original HABIBTI, making its placement on the expanded version feel particularly natural.

That also helps explain why Drake chose to package these songs as an expansion of HABIBTI rather than treating FOMO as an entirely separate album.

The film pulled from multiple parts of Drake’s 2026 output, but several of its most requested unreleased records fit directly into the mood established by HABIBTI.

“Classic Pt. 2” Continues One of HABIBTI’s Records

The fourth addition is “Classic Pt. 2.”

As the title suggests, the song extends “Classic,” which appeared on the original version of HABIBTI. Rolling Stone Canada described the new track as an expanded follow-up to the original record.

That makes “Classic Pt. 2” perhaps the clearest bridge between the original album and the FOMO expansion.

Instead of merely adding another unrelated song from the movie, Drake is revisiting material already established on HABIBTI and extending it through the visual project’s rollout.

With “Classic Pt. 2” now officially available, fans can hear the continuation as part of the same album rather than having to treat the FOMO version as something locked inside the film.

FOMO Became More Than a Short Film

When Drake first announced Fear of Missing Out, exactly what he was releasing wasn’t immediately clear.

He described the project as a “not so short film” and “self-funded surrealism,” presenting it as something more ambitious than another collection of music videos. The project premiered Sept. 15 and used Drake’s summer as the backdrop for a visual experience combining existing records with unreleased music.

The music quickly became one of the biggest stories coming out of the film.

Instead of viewers only discussing the cinematography, locations or narrative, fans started identifying songs.

What was the Don Toliver record?

When was “Québec” dropping?

Would the “Choosin’ Texas” remix ever get an official release?

Was “Classic Pt. 2” actually coming?

That reaction turned FOMO into something resembling an unofficial listening session for another batch of Drake music.

For several weeks, however, the only way to hear some of those records was through the film or unofficial clips circulating online.

Friday’s release changes that.

Not Everything From FOMO Has Been Released

There is an important caveat.

HABIBTI (FOMO) doesn’t represent a complete soundtrack to the film.

Drake explicitly warned fans about that before Friday’s release when he corrected himself from saying the songs people wanted were coming to saying “not all of them, but enough of them” would be released.

The film contained roughly a dozen new or reworked pieces of music, meaning several songs heard during FOMO remain outside Drake’s official streaming catalog.

One track from the broader rollout, “Miss My Dawg” with Yeat, already found a separate release through Yeat’s Cocoon EP.

For everything else, there is currently no guarantee that another FOMO package is coming.

That leaves Drake with the option of continuing to release songs individually, expanding another project or simply leaving some records attached exclusively to the film.

HABIBTI Keeps Growing

The new release also extends the life of an album Drake first released months ago.

HABIBTI originally arrived in May as part of Drake’s unusually large three-project release alongside ICEMAN and MAID OF HONOUR. The original HABIBTI contained 11 songs; the FOMO expansion pushes it to 15.

Each project occupied its own section of Drake’s musical range.

HABIBTI leaned heavily toward melodic and R&B-oriented material, while the wider three-album release allowed Drake to separate different sounds across multiple projects rather than forcing everything into one oversized tracklist.

FOMO subsequently brought those worlds back together visually.

Now HABIBTI (FOMO) brings part of the movie back into the album.

It has effectively become a circular rollout: the album helped soundtrack the film, the film introduced unreleased music, and fan demand for that music has now expanded the album.

Drake Has Released a Massive Amount of Music in 2026

The four new records also add to what has already been an unusually prolific year for Drake.

Pitchfork calculates that Drake’s 2026 output now totals more than three hours of new music, even before counting the extensive visual material released alongside ICEMAN, HABIBTI and MAID OF HONOUR.

That volume is significant considering HABIBTI (FOMO) isn’t being positioned as Drake’s next major studio era.

It’s an extension of material he has already spent much of the year building.

Rather than ending the campaign after the May releases, Drake carried those records through the summer, constructed FOMO around the larger period and then used the movie to introduce another wave of music.

The result is a rollout that has continued evolving long after the original albums arrived.

The Fans Essentially Helped Choose What Came Out

There’s also something notable about how the four-song expansion happened.

Drake directly acknowledged that fans had been asking for the FOMO records.

That means HABIBTI (FOMO) wasn’t simply another pre-announced deluxe edition following a standard release schedule. It arrived after listeners spent weeks identifying songs from the movie and repeatedly asking for official versions.

Drake didn’t give them everything.

But he gave them four of the records at the center of that demand.

“Solar Eclipse” had already developed an audience as the “Choosin’ Texas” remix.

“Cold Shoulder” gave fans another Don Toliver collaboration while adding Yebba.

“Québec” had already received a visual.

And “Classic Pt. 2” directly continued one of HABIBTI’s existing songs.

Those choices make the release feel less like a random four-track addition and more like Drake closing out some of the biggest unanswered questions left by FOMO.

FOMO’s Music Is Finally Outside the Movie

That may ultimately be the biggest development.

FOMO was designed as a visual project, but some of its music became too popular with Drake’s audience to remain confined to the film.

Three weeks after the Sept. 15 premiere, Drake has begun separating those records from the visual experience and allowing them to stand on their own.

“Solar Eclipse,” “Cold Shoulder,” “Québec” and “Classic Pt. 2” are no longer unreleased Drake songs that fans have to hunt down.

They’re officially part of his catalog.

Whether the remaining FOMO songs eventually follow them remains unanswered, and Drake already warned that fans shouldn’t expect everything.

For now, though, he followed through on the promise he made earlier this week.

The FOMO songs fans had been asking for are finally streaming — or, as Drake himself put it before the release, at least “enough of them.”